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WIP

Works-in-progress

Printmaking thumbnails

in

Thumbnails for the lino print I want to do next.

Not sure how well I'm going to be able to update this every week this month. Between extra day-job hours, projects possibly not appropriate for this blog, and other life going-ons, I may not have stuff to post here.

Beginning Bouguereau's Childhood Idyll

I'll have to get a better photo of this one; shooting at night with poor lighting is no good. I tried to digitally edit the colors back to a semblance of realistic, but I ended up with some strange artifacts.

Here's the second of my Bouguereau-copies started. Penciled on canvas. I put a couple coats of matte medium on this one in an attempt to level out the canvas texture so it wouldn't bug me as much.

I'm trying to get the hang of indicating leaves and foliage. I'm not sure I'm really getting it.. But that's why I'm doing this. And why I'm planning to do a substantial number of these.

Almost finished with Bouguereau's Meditation

I got a bit further with this piece on my painting day this week (on which I also managed to catch up on some of my lost sleep from day job hours). I still need to smooth our her skin tones, head-cloth and hair, and finish the foliage in the lower left, and then I'll call it done and move onto the next.

I've also gotten some coding done on my website, and will soon have thumbnails available on the bottom of my portfolio image pages to all the pieces in my online portfolio (so you don't have to click back all the time).

More progress on Bouguereau's Meditation

Current progress shot on my copy of Bouguereau's Meditation. I've got paint on all of it now, but tweaking left to do on a lot. Need to work on the skin tones, fingers and toes, hair, all the cloth, and the foliage in the lower left (and a little in the midground).

The copy of the image I'm working from is very warmtoned. I later found a copy that's a lot greener (but also has the highlights blown out), and I wonder which colors are truer to the original. I'll stick with the warm for this one.

Working on the subtleties in the face and hands, I'm reminded of why I hate canvas. So many little mountains and valleys to deal with in getting a tiny line laid down. But a ton of canvas is what I have to work with, and maybe it'll help me work on painting a little more boldly. The canvas doesn't feel precious to me the way a board does, so I'm more likely to take chances. And it'll keep me from getting too tiny with the detail. I'll be really happy to do some personal projects on boards again sometime in the future, but this is just the beginning of all the master copies I'm planning to tackle before then. I feel like I have a great deal to learn about how to render foliage and other background elements, and some in subtle skin tones.

Bouguereau's Meditation in progress

Here's my current progress on the first Bouguereau painting copy I posted about previously.

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